Bryce reveals its depth slowly. Wool and real silk are hand-knotted together, then cut at different heights into two planes. Silk sits above the wool; where it rises it catches, where wool stays low it absorbs. The space between them is where the rug lives. The silk is structural, not decorative, and the hi-low construction is about what depth does to light across a surface rather than texture for its own sake. Wool keeps the silk from announcing itself, holding the whole at a quiet register. Bryce rewards rooms with space to be seen from different distances, where morning and evening read the surface differently.
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