Every rug we make sits inside five conversations - its size, the room it eventually finds, the material we knot it from, the pattern it carries, and the shape on the loom. Begin with whichever feels obvious. Each one leads to the same forty-two rugs.
Every rug is sized to a specific room — a four-poster bed, a wide hall, a corner reading chair. The four sizes below are the ones we hand-knot most often. Custom is always available; Mira is bespoke from the warp up.
We design every rug with a specific room in mind. Living, drawing, dining, corridor — the architecture decides the palette as much as the loom does.
Anchor pieces for sofas, fireplaces, deep-pile underfoot, soft on bare wood.
Higher knot density, finer pattern — rugs that read well from a doorway.
Flat-weave and low-pile, easy to clean, sized to the table's swing radius.
Runners and long forms for halls and landings — tuned to the length of the walk.
Wool is the soil of our work. Silk and bamboo-silk lift the highlights; blended yarns make a more forgiving floor. Every fibre is hand-spun in Bikaner and dyed in Sanganer before it reaches the loom.
Hand-spun, vegetable-dyed. Holds its colour the longest of any fibre we work with.
Mulberry silk woven into the highlights — pattern catches light, ground stays grounded.
A softer sheen than mulberry silk, and a kinder price. Same Bhadohi looms.
Wool with a small percentage of recycled-cotton weft. Heaviest underfoot of the four.
Pattern is the way a rug reads a room. We make six languages — from the deepest tradition to the lightest modern hand. None of them are categories you have to stay inside.
Persian-rooted floral medallions and field borders, the longest catalogue.
Borders, field, corner ornaments — the European library rug, lightly modernised.
Anatolian-influenced motifs, tribal field, no central medallion.
Morris-school floral spreads — vines, leaves, the English country house.
Bauhaus-leaning, low contrast, drawn from late-century textile labs.
A study chapter — single recurring motif on a quiet field. Limited editions.
Six silhouettes — the four we make most often, the two we make on request. Anything beyond the rectangle adds two to four weeks to the warp set-up.